October 17, 2006
Probably more famous for the film version with Michael Caine and Julie Walters, Educating Rita is now a classic piece of comic writing. Faced with such illustrious and talented predecessors, it must have been daunting for the two young actors as they embarked on rehearsals. They need not have worried. They exhibit some of the most polished and accomplished acting I have encountered in student productions over recent years.
Shaun Passey as Frank gives a remarkably mature performance. He inhabits his clothes and his room with crumpled dejection. He is alive to the wit of the character and has an effortless range of gestures and expressions which he uses to create a real human being -full of flaws but ultimately redeemable.
Beth Williams as Rita is very convincing both in terms of her accent and her mannerisms. She makes Rita completely infuriating and lovable at the same time. She traces the emotional journey of the character with ease - encouraging real empathy from the audience.
Henry Oliver is to be congratulated for bringing these performances to the stage. His direction is always clear and direct - not seeking to impose on his actors - just giving them the space to breathe and live.
I would not be surprised to see any of them making an appearance in the theatrical profession in a few years time - the talent is clearly there.
I would suggest that the production team look to mounting the play again at a larger venue. It deserves a bigger audience than the BT allows.
Book now - it is the first treat of the new student drama season.
Shaun Passey as Frank gives a remarkably mature performance. He inhabits his clothes and his room with crumpled dejection. He is alive to the wit of the character and has an effortless range of gestures and expressions which he uses to create a real human being -full of flaws but ultimately redeemable.
Beth Williams as Rita is very convincing both in terms of her accent and her mannerisms. She makes Rita completely infuriating and lovable at the same time. She traces the emotional journey of the character with ease - encouraging real empathy from the audience.
Henry Oliver is to be congratulated for bringing these performances to the stage. His direction is always clear and direct - not seeking to impose on his actors - just giving them the space to breathe and live.
I would not be surprised to see any of them making an appearance in the theatrical profession in a few years time - the talent is clearly there.
I would suggest that the production team look to mounting the play again at a larger venue. It deserves a bigger audience than the BT allows.
Book now - it is the first treat of the new student drama season.