May 5, 2011
Oxford Playhouse, 4-7 May 2011
This plurality of people becomes a little tiresome to the ears though. Too many 'big numbers' repetitively bashed out the same motifs with accompaniment that bordered on 'oom-pah'.
It's something of a shame as there were some pretty arias and soulful moments, but they were outnumbered by low-aiming comedy and riotous ensemble pieces. Still, we can blame Gilbert and Sullivan for that, or perhaps those who adapted the operetta for Broadway, the version employed here.
Special mention however should be made of Florence Vincent who played love interest Mabel. Her singing was beautifully clear and the musical heart of the evening.
People come for the big comedy though, and that was ably maintained, especially by Pirate King Joe Harrison who brings great energy, comic timing and perhaps a little Johnny Depp to his role, and also by bendy music-hall policeman Olly Brassell, destined for a career in the Ministry of Silly Walks.
Some clever interplay with the orchestra made for amusement, though where the comedy didn't work for me I think I must again blame the composers, an example being the amount of emphasis given to the hilarity of getting singers to pronounce words really fast. This is indeed skilful but I'd rather it was left to Busta Rhymes so I could hear something more melodic.
That said, it was a vigorous, ably sung, well-rounded show. The one thing it did lack was star quality. Often we see performers with a commanding, ineffable sense of charisma and just one of those would have lifted this production above its few foibles.