May 31, 2011
As I was waiting in the queue for my ticket to A Row of Parked Cars in the Burton Taylor Studio, I overheard someone describe it as ‘an examination of the human condition.’ Oh joy, thought I. An examination of the human condition, written by a second year Oxford student. This isn’t going to be pretentious and heavy going at all. But, despite being about the seemingly ubiquitous ‘angry young man’ and his suicide attempts, writer Matthew Parvin manages to avoid ponderous cliché with a witty script and lightness of touch to make this a very enjoyable night out.
The short play is in five acts, each one a counselling session of sorts between the Reverend Regis, played by Sam Smith, and troubled youth Jeremy, played by Jeremy Neumark Jones. It is perhaps unfair to single out one actor in a two-hander play, and much, I’m sure, is due to the writing, but Jeremy Neumark Jones is an incredibly engaging presence on stage. He skilfully captures the arrogance and disdain of Jeremy, while never losing the audience’s sympathy. The two actors do bounce off each other well though, and obviously relish the blackly comic lines such as:
Regis: What do you want to be in the future?
Jeremy: Dead, I thought that was obvious.
The big themes of suicide, and the futility of life, are not particularly original, but Matthew Parvin is brave enough to make numerous nods to writers who have covered these subjects before, including Shakespeare and T.S. Eliot. In the wrong hands this could have been horribly grating, but coming out of the mouth of the self-proclaimed ‘five-dimensional mind’ of Jeremy, potential accusations of pretentiousness are neatly sidestepped.
A production worth crossing the road for. Just remember to look both ways first.
The short play is in five acts, each one a counselling session of sorts between the Reverend Regis, played by Sam Smith, and troubled youth Jeremy, played by Jeremy Neumark Jones. It is perhaps unfair to single out one actor in a two-hander play, and much, I’m sure, is due to the writing, but Jeremy Neumark Jones is an incredibly engaging presence on stage. He skilfully captures the arrogance and disdain of Jeremy, while never losing the audience’s sympathy. The two actors do bounce off each other well though, and obviously relish the blackly comic lines such as:
Regis: What do you want to be in the future?
Jeremy: Dead, I thought that was obvious.
The big themes of suicide, and the futility of life, are not particularly original, but Matthew Parvin is brave enough to make numerous nods to writers who have covered these subjects before, including Shakespeare and T.S. Eliot. In the wrong hands this could have been horribly grating, but coming out of the mouth of the self-proclaimed ‘five-dimensional mind’ of Jeremy, potential accusations of pretentiousness are neatly sidestepped.
A production worth crossing the road for. Just remember to look both ways first.