The staging that the audience is confronted with on entry to the very adaptable Burton Taylor Studio consists of a large white box which gradually unfolds with the narrative as our trapped storyteller reveals more and more.
Our storytelling protagonist (Becky) has a first class history degree, an interest in her own family history, and an immense pride in her granddad's 'conscientious objection'. Later we learn that she prefers the term 'pacifism' to 'conscientious objection'.We learn that she has landed a position as an Account Manager as part of a graduate scheme and thus history is placed in the present and the subsequent narrative contrives a modern day scenario detailing aggressive acts committed against an individual. The office bully and our protagonist's reaction to her are gradually illuminated through narrative and lighting.
The exposition is done with a metaphorical conversation between the main characters in the office about wasps and bees, their respective stinging for fun or self-defence; the significance of which is obvious for all to see. The subsequent plot sees the graduate gradually getting ground down by the bully and backed into a literal corner in the box.It's a slow boiler, and we are eventually subtly swept up by the emotional thrust of the piece executed with skill by Rachel Ashwanden - an engaging and eye-catching storyteller. Our reaction to the aggression can only be a desire for retribution. Will our ''ickle Becky' flex her muscles and stand up for herself? That is the question.
We are treated to a highly original and intriguing ending. Punches are not pulled and this is no 'pacifist to pugilist' cliche. We are made to do what good theatre makes us do - to think for ourselves. Written with such an intention - to make the audience feel the need to retaliate and see the justice in striking back, this play will resonate with anyone who has witnessed or experienced subtle psychological violence in the sanitized office environment.Conscientious is deftly produced with intelligent lighting design, a subtle soundscape, and original staging, and it is thanks to the Burton Taylor Studio and its dedication to new theatre that we have a chance to see such talent emerging.
Worth a punt while in Oxford.