September 4, 2011
If you’re looking for a bit of mindless escape for a couple of hours, you can do much worse than Beautiful Lies. You can probably do quite a lot better too, but in terms of undemanding, frothy rom-coms, this one doesn’t fare too badly.
Audrey Tautou plays Emilie, a salon owner, who receives an anonymous love letter. In order to cheer up her mother, who is still struggling to get over the breakdown of her marriage a couple of years ago, Emilie secretly forwards the letter on to her. The audience know, but Emilie does not, that the letter is from Jean, the salon handyman. Wacky circumstances result in Emilie eventually paying Jean to take out the mother, and love triangle ‘hilarity’ ensues.
Regarding said love triangle hilarity, I did have some issues with a mother and daughter being romantically involved with the same man, and at times the light hearted tone sat strangely with the manipulative actions of Emilie, but maybe this is just my uptight Englishness ruining the French fun.
There are plenty of laughs to be had, despite the reservations, and Audrey Tautou manages to bring charm to a pretty unsympathetic character. Saying that, I could probably watch her watch paint dry and find her delightful.
Go expecting Amelie and you will be sorely disappointed. This doesn’t have a fraction of the warmth and heart of that film. But if you seek amusing, beautiful-looking distraction, and perhaps inspiration for a holiday on the Cote d’Azur, then this will do the job. Don’t expect to remember it ten minutes after the end of the credits though.
Audrey Tautou plays Emilie, a salon owner, who receives an anonymous love letter. In order to cheer up her mother, who is still struggling to get over the breakdown of her marriage a couple of years ago, Emilie secretly forwards the letter on to her. The audience know, but Emilie does not, that the letter is from Jean, the salon handyman. Wacky circumstances result in Emilie eventually paying Jean to take out the mother, and love triangle ‘hilarity’ ensues.
Regarding said love triangle hilarity, I did have some issues with a mother and daughter being romantically involved with the same man, and at times the light hearted tone sat strangely with the manipulative actions of Emilie, but maybe this is just my uptight Englishness ruining the French fun.
There are plenty of laughs to be had, despite the reservations, and Audrey Tautou manages to bring charm to a pretty unsympathetic character. Saying that, I could probably watch her watch paint dry and find her delightful.
Go expecting Amelie and you will be sorely disappointed. This doesn’t have a fraction of the warmth and heart of that film. But if you seek amusing, beautiful-looking distraction, and perhaps inspiration for a holiday on the Cote d’Azur, then this will do the job. Don’t expect to remember it ten minutes after the end of the credits though.