3760 results
In the Valley of Elah [15] review
Subtle, prosaic and engrossing. Paul Haggis (director of "Crash") throws us abruptly into the ...
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Review | cinema
The Spiderwick Chronicles [PG] review
Intriguingly titled, The Spiderwick Chronicles conjures a sense of mystery and otherworldly ...
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Review | cinema
The Cottage [18] review
Black comedies don’t come any darker than The Cottage. In his follow-up to the emotionally ...
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Review | cinema
Charlie Dark's African Beats review
It may seem odd to begin by reviewing the audience rather than the piece, but it was depressing to ...
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Review | gigs
Mort review
Terry Pratchett is a marmite author - while the mainstream is put off by his reputation as a ...
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Review | theatre
Michael Frayn review
The spark of an idea for Spies, Michael Frayn’s 2002 novel set in the Second World War, was a ...
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Review | theatre
Stomp! review
Short shots of rhythmic performance are delivered as this warm-hearted troupe share their ...
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Review | theatre
Tenebrae Factae Sunt review
Sung by the Marian Consort directed by Jeremy SummerlyWith music for lute by Simone Molinaro This ...
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Review | concerts
Miss Potter [PG] review
Are these people mad? This movie is not charming, sweet and funny. It is a five-kleenex weepie. The ...
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Review | cinema
Happy-Go-Lucky review - Eddie Marsan – Happy-Go-Lucky’s not so happy driving instructor – is perhaps Britain’s most consistently impressive character actor. Hardly a household name, he’s popped up in blockbusters (like Miami Vice, Mission Impossible 3 and Gangs of New York) and indies too (21 Grams, Pierrepoint, Sixty Six). He even started out in Oxford, doing garden-play Shakespeare. Glenn Watson chats to Britain’s best kept secret…
You’re not a celebrity but you get pretty much rave reviews for your performances. How do you ...
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Review | cinema
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