1998 results
Chicago The Musical review - For theatre at its best, this shouldn't be missed.
Who would have thought an evening spent with a couple of conniving murderesses could be so ...
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Review | theatre
Villagers, Aiden Knight review - '... they undoubtedly played at their best with such a discerning crowd.'
"Why do you keep a mandarin orange on here? Did you think it was a shaker?" Conor O'Brien ...
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Review | gigs
Amadeus review - This is among the best three or four acting performances I've seen from dozens of student plays over the years
Hailed the length and breadth of Europe as a prodigy, Wolfgang Amadeus Mozart was weaned on the ...
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Review | theatre
Lucy Rose review - 'It's rare that an artist of any description strikes me as unique and then continues to surprise me but Lucy Rose is one of these.'
Whenever I hear of a new band the first thing I do is check them out on YouTube. I think you can ...
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Review | uncategorised
What Does it Mean to be Human in the Digital Age? review
Students, local residents and academics gathered at the Mathematics Institute yesterday, wondering ...
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Review | lectures
Little Howard's Big Show for Kids review - Brilliantly Refreshing: Two-dimensional and Proud
Little Howard's Big Show For Kids brings to the live stage a comedy double act which has now ...
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Review | theatre
Rosencrantz and Guildenstern Are Dead review - The comedy is allowed to shine out, occasionally pantomimishly milked but in the main handled with professionalism.
I'd been looking forward to sitting down to enjoy this very definition of 'meta-', and the Oxford ...
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Review | theatre
Oxford Philharmonic Orchestra presents Bach's St John Passion, Thursday 24 March review - St John Passion - Oxford Philharmonic Orchestra
On Maundy Thursday, the Oxford Philharmonic Orchestra, led by conductor Robert Quinney and joined ...
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Review | concerts
Bed Time review
A little younger than the targeted audience, my little princess (aged just 16 months), first-time ...
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Review | theatre
Who's Afraid of Virginia Woolf? review - The audience is forced into close proximity with the action – and what action it turns out to be
There are few more explosively intense and claustrophobic plays than Edward Albee's classic ...
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Review | theatre
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